Volume XXXI Number 3 | March - April 2010  
 
April Jazz Appreciation Month Party
honors ‘giants of jazz’, Blaise Lantana
By Joel Robin Goldenthal

Sunday, April 18, will be a major-event day for Jazz in AZ: It's our annual meeting, a celebration of Jazz Appreciation Month, our monthly party and a day of special recognition for one of our greatest voices for jazz.
It all takes place at The Compound Grill, an exciting new performance venue conveniently located just south of the 101 Freeway and west of Scottsdale Road. (Enter the shopping center at 68th Street

on the north side of Mayo Boulevard.) Admission is $10 for the public (waived if you join Jazz in AZ at the party); JiA member rates apply. A wide selection of food and beverages are available for purchase. For more menu/venue info, visit www.thecompoundgrill.com.
The Jazz in AZ annual meeting will begin promptly at 2:15 p.m. All JiA members and the public are welcome to attend this brief meeting to learn about the state of the organization and its goals for the coming year.
At 3 p.m. the Jazz in AZ monthly party will kick off international Jazz Appreciation Month with a musical tribute to “Giants of Jazz,” including John Coltrane, Miles Davis, Dave Brubeck, The Modern Jazz Quartet, Herbie Hancock and Chick Corea. The band is comprised of top Valley musicians who in recent years have been

presenting concerts devoted to each of these jazz luminaries. The musicians are Scott Zimmer (saxophones), Keith Kelly (flute, saxophones), Dan Delaney (piano), Brett Reed (vibraphone), Ted Sistrunk (bass) andJohn Lewis (drums). This party will be “best of” selections from those concerts to create a memorable afternoon of America's original music.
During intermission, Jazz in AZ will present its Lifetime Achievement Award to Blaise Lantana, who has been music director and weeknight on-air personality at KJZZ radio since 1995. Her passion and tenacity have helped to keep jazz on the air in the Valley, and offer our community one of the few remaining on-air jazz outlets in the nation.
If you love hearing jazz in Arizona, then you probably know the sultry voice of Blaise Lantana on the radio. You may enjoy “the voice with the smile” and the tidbits of jazz information that Blaise slips in each night between the tunes, but the most important part of her job is choosing the music that you hear each night on KJZZ. I talked with Blaise this week about what it takes to do her job and why she loves it.
“Music has always been a part of my life; I was singing since I could talk, and playing piano since I was 7. As a musician you have a different relationship with sound, how you hear it and how it affects your whole body. For 20 years I was a professional musician working all over the country. Because I watched people listen, I got a feel for how different people reacted to different sounds. The clubs were small and struggling and it was my job to keep

Blaise Lantana
people in their seats, so I paid close attention to what made them leave or even get restless. Although everyone loves a beautiful ballad, if the tempo was too slow for too long they were gone; if it got too intense for too long they left. Tempos, sound levels, instruments -- I watched people react every night to the music that they were hearing and that was great training for programming music.
“Playing music is a hard life, and I really respect and honor the work that musicians do to stay alive and make the music they love. When a job in radio came up at the NPR station in Corpus Christi, Texas, I applied and became a broadcaster and music director.
“Here at KJZZ, I choose the jazz that you hear every night on your radio, and I take my job very seriously because I want everyone to discover and enjoy the different aspects of this wonderful music. I really try to consider all the music that comes in, and there is a lot. Everyone can make a CD today, so I get product from musicians from all over the world, plus from the
continued on page 5

Left to right: Scott Zimmer, Dan Delaney, Ted Sistrunk, John Lewis, Brett Reed & Keith Kelly
Jazz Notes: March-April 2010 page 1 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20
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